The much-awaited fantasy series Blood Psalms debuts on Showmax and the reviews are glowing. This Showmax original series follows Princess Zazi (Bokang Phelane) as she battles a world-ending prophecy to navigate her people through ancient curses, warring tribes, the wrath of the gods, and her father.
Blood Psalms draws from elements of a multitude of African mythologies and looks at various different tribes – namely the Akachi, the Uchawi, the Ku’ua, the Chini, and Great Nziwemabwe – as they migrated south from Kemet, which is now Egypt, and formed their cultures.
The series creators Layla Swart and Jahmil X.T. Qubeka were responsible for South African Oscar entries Knuckle Cityand Sew The WinterToMy Skin. Qubeka also directed Of GoodReport, which won seven SAFTAs, including Best Film and Best Director, and Stillborn, which won the SAFTA for Best Short Film.
Swart and Qubeka assembled an incomparable cast with nine SAFTA winners – Bongile Mantsai, Hamilton Dlamini, Hlubi Mboya, MothusiMagano, S’dumo Mtshali, Siv Ngesi, Thishiwe Ziqubu, Warren Masemola, and Zolisa Xaluva – and together with a creme de la creme of South African actors. . This is one of the best casts we’ve seen in any series produced in South Africa. The cast includes actors like Bokang Phelane, Enhle Mbali Mlotshwa, Lemogang Tsipa, FaithBaloyi, Faniswa Yisa, MandisaNduna, Niza Jay, Richard Lukunku, Sello Maake Ka Ncube, Thando Thabethe, Thembikile Komani, Albert Ibokwe Khoza, Sodlaka, Khayakazi Kula, Thandy Matlaila, Thabo Rametsi and many more.
The first two episodes just landed on Showmax and perfectly encapsulate everything you need to know about this series which is said to be Showmax’s most ambitious project yet. It’s without a doubt the best series ever created in Africa. Much of Blood Psalms is set at the Akachi citadel, where the five tribes have gathered for Letsha’s upcoming wedding. The production design is magnificent, shot in the Eastern Cape, Gauteng and North West provinces.
Showmax caught up with the most ambitious filmmakers in Africa to find out more about Yellowbone Entertainment’s first Showmax Original, which is already topping the charts on Africa’s homegrown streaming service.
Where did the idea for Blood Psalms come from?
Qubeka: I was just always extremely curious about our continent. The question mark around the history of Africa, and where we come from, has been a great platform for us to be able to build this world.
Swart: I think Blood Psalms is a yearning more than anything else. It’s a look at a history that has never been depicted before, that we always wanted to see.
When is Blood Psalms set?
Qubeka: 11 000 years ago. Blood Psalms is an action-adventure series that invites us into a world that no longer exists, a time before the Great Flood changed the world.
Swart: Blood Psalms draws from elements of a multitude of African mythologies and looks at various different tribes in Season 1 – the Akachi, the Uchawi, the Ku’ua, the Chini, and Great Nziwemabwe – as they migrated south from Kemet, which is now Egypt, and formed their cultures.
Qubeka:These tribes moved southward, running away from the calamity that was happening in Kemet and Kush, which is what we now know as northern Sudan. There are remnants even today that show that there was a great civilization and a great culture that comes from that space.
Which tribe do you focus on the most?
Swart: The tribal focus in season one is House Akachi, run by the eccentric King Letsha [four-time SAFTA winner Mothusi Magano].
Qubeka: We look at this world through the eyes of his daughter, a young Akachi princess by the name of Zazi [Bokang Phelane], as she goes on her own quest to find a sense of self in a rapidly evaporating world.
How do you feel about the inevitable Game of Thrones comparisons?
Qubeka: If they want to call it the African Game of Thrones, I’ll take that mantle on. If you love Game of Thrones, you’re gonna love this show.
But what we really want to do is create heroic archetypes for the African child. If you look across the entire landscape of cinema and television, there are no archetypes for the African child.
Swart: It’s a pioneering show that attempts to redefine our very perception of our identity as Africans. What we’re trying to do is to reclaim the continent’s history from an African perspective. The goal, for us, is to ensure that the golden thread of Africa’s stunning history really shines.
Qubeka: If we don’t start to project an image of how we see ourselves, someone else is going to do that for us.
There are very few references for Africa 11,000 years ago. Was this freeing or challenging?
Swart:Building a world that doesn’t exist has been enormously creative. Doing something set 11,000 years ago has really given us all collectively the scope to just play.
But it’s also enormously challenging. Every single costume, every single piece of the set had to be conceived and made from scratch.
Qubeka:I’m very excited to see how audiences engage this world. There’s a lot of things that people are going to look at and be like, ‘What are you talking about? Did they have guns in that time? Do they have electricity?’ There’s all sorts of things that we challenge in terms of conventions, of what people understand of our glorious past.
Where did you shoot in the Eastern Cape?
Qubeka: So the Akachi Citadel actually sits above the Hole in the Wall but we shot parts of the Citadel in different locations. For example, the big dam in Graaff-Reinet is incorporated as the Citadel dam, situated at the back end of the city.
What I really loved about shooting in the Eastern Cape is that it just brought a whole other dimension to what we were intending to achieve.
The epic scale of places like Coffee Bay and the Valley of Desolation – just the size and scale of these places – makes you feel so insignificant, so small, so we’re able to get an essence of what it could have been like 11,000 years ago on this continent.
Why should audiences watch your show?
Qubeka: It’s a sweeping epic adventure that doesn’t hold back. It is definitely a large canvas, one that I personally have not seen from this continent. This thing is big.